English
In the Department of English, students think about, study and write about the artful ways in which people can and do use words, from thousand-year-old epics about fighting monsters to the intimate poems and the public addresses of our own time. The department is also the academic home at Harvard for creative writers and creative writing. Undergraduates may pursue a Concentration and Secondary Field.
Director of Undergraduate Studies: Daniel Donoghue
Associate Director of Undergraduate Studies: Sarah Dimick
Undergraduate Program Administrator: Lauren Bimmler
Undergraduate Program Assistant: Emily Miller
Gateway Courses
Spring 2024
English 187nd. Indigenous Literatures of the Other-than-Human
Christopher Pexa
“Indians are an invention,” declares an unnamed hunter in Gerald Vizenor’s (White Earth Ojibwe) 1978 novel, Bearheart. The hunter’s point, as Vizenor has explained in interviews and elsewhere, is not that Indigenous peoples don’t exist, but that the term “Indian” is a colonial fiction or shorthand that captures, essentializes, and thus erases a vast diversity of Indigenous lives and peoples. This course begins from the contention that other categories, and maybe most consequentially that of “nature,” have not only historically borne little resemblance to the lived lives of Indigenous people but have been used as important tools for capture and colonization. We will begin with European writings on the “noble savage” who lives harmoniously in a state of Nature, then move to Indigenous writers and thinkers whose work refuses this invention, along with its corollary category of the supernatural. We will spend most of our time reading 20th- and 21st- century Indigenous literary depictions of other-than-human beings and Indigenous relationships with those beings, highlighting how forms of kinship with them are integral to Indigenous ways of understanding difference, to acting like a good relative, and to Indigenous practices of peoplehood. Readings may include works by Billy-Ray Belcourt, Ella Deloria, Louise Erdrich, Stephen Graham Jones, Leslie Marmon Silko, Leanne Simpson, Kim TallBear, and Gerald Vizenor, among others.
English 115b Chaucer’s Canterbury Tales
Anna Wilson
What makes stories so pleasurable and revealing but also so enraging and dangerous? How are we to think about the strong emotions they evoke and learn to resist as well as appreciate their power? This course revisits Geoffrey Chaucer's classic fourteenth-century poem, The Canterbury Tales: the deepest and most caustically entertaining analysis of storytelling ever written. The Canterbury Tales consists of a series of tales told by members of a pilgrimage on their way from London to Canterbury, representatives of the internally divided social world of Chaucer’s England. Some are serious, others funny, obscene, or offensive; some are religious, others not at all; some deal with issues local to England, others range across the Europe and the rest of the known world; many are told against other pilgrims. Written in a long-ago past, the poem jumps off the page, in turns unrecognisably weird and startlingly modern. We read the poem in the language in which it was written, Middle English, easy and fun to learn with early help: no previous experience with the language, or with the medieval era, is necessary. We will also explore the poem's long-ranging impact on English literature, including several contemporary reimaginings. Classes include a short lecture on a tale, and class discussion, which continues in weekly sections. Course projects include an essay, a collaborative report on one tale, and a creative option. Students of all years and from all concentrations and programs are welcome. If you are a graduate student interested in taking this class, please contact Prof. Wilson to indicate interest before term begins; there may be an additional graduate section if there is sufficient demand.
This course satisfies the “Pre-1700 Guided Elective" requirement for English concentrators and Secondary Field students.